Mediation


What remains when the moment passes?

HK
Circa 2016—2025

Compiled in 2025
Photography (Colour), Text

Contact for use. Note: Some images on this page have been sliced. Alternative (alt) text is included in the first slice of each image.
001
002
003
004
005

We stack ourselves into Tetris blocks along the side of roads. A jumbled mishmash of humanity. My ceiling’s your floor. Between us are thin walls—physical and psychic—scratched by use, marked by the week’s grime. We share communal rubbish bins, lifts, maintenance notices, and advisories reminding us not to let our dogs relieve themselves in the lifts or throw rubbish from our windows, lest it affect others’ enjoyment of the amenities or cause harm to those below.

Soon, I’ll have been in Hong Kong for ten years. I smile at the thought. The smile is returned by a beautiful woman over spaghetti, a billboard across the street. She’s telling me to ‘Live Italian. Live with passion.’ Being half Neapolitan, I make a promise to try to meet her halfway. I don’t want to let the team down.

People describe Italy as an open-air museum, un museo all’aperto. But isn’t the same true anywhere? Places wear their identities differently. Some preserve marble ruins. Others archive themselves in red, white, and blue plastic wrapping, greasy laminated menus, and flyers pasted to shuttered shopfronts.

These are the city’s annotations—reminders that we live in proximity, even if we rarely speak. I used to think of colour as something declarative, even difficult. But here, it feels quieter. Beneath the brightness, I see layers of exposure, wear, repetition. Colour marks time differently from monochrome. It holds on longer than we do, like adhesive residue on the inside of a lift.

These images aren’t looking for resolution. They sit with noise—visual, spatial, social. Tuned to a frequency where the city mediates between materials, bodies, and boundaries.

I suppose it doesn’t really matter where you go. The stories of a place don’t sit still. They shift, detach, reattach, peel off, emigrate, or are eaten for lunch. They live among us in impermanence.

006
007
008
009
010
011
012
013
014
015
016
017
018
019
020
021
022
023
024
025
026
027
028
029
030

Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City Kinetic City  Kinetic City  


Fractured  Fractured  Fractured  Fractured  Fractured  Fractured  Fractured  Fractured  Fractured  Fractured  Fractured  Fractured  Fractured  


Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  


Mediation  Mediation  Mediation  Mediation  Mediation  Mediation  Mediation  Mediation  Mediation  Mediation  Mediation  Mediation  Mediation  Mediation  


Trace Elements  Trace Elements  Trace Elements  Trace Elements  Trace Elements  Trace Elements  Trace Elements  Trace Elements  Trace Elements  Trace Elements  Trace Elements  Trace Elements  Trace Elements  


Flux-  Flux-  Flux-  Flux-  Flux-  Flux-  Flux-  Flux-  Flux-  Flux-  


Frequency Beneath  Frequency Beneath  Frequency Beneath  Frequency Beneath  Frequency Beneath  Frequency Beneath  Frequency Beneath  Frequency Beneath  Frequency Beneath  Frequency Beneath  


TBM Sketches  TBM Sketches  TBM Sketches  TBM Sketches  TBM Sketches  TBM Sketches  TBM Sketches  TBM Sketches  TBM Sketches TBM Sketches  TBM Sketches