Mediation


Is forgetting a form of architecture?

HK
Circa 2016—2025

Compiled in 2025
Photography (Colour), Text

Note: Some images on this page have been sliced. Alternative (alt) text is included in the first slice of each image.
001
What holds together, holding on. (001)


Cylindrical absence. (002)
002
Life parks itself in plastic at the street’s full stop. (003)
003
The view clears as boundaries blur. (004)
004
005
006
007
A sky of fabric spills. (008)
008






We stack ourselves into Tetris blocks along the side of roads, a jumbled mishmash of humanity. My ceiling’s your floor. Between us are thin walls—physical and psychic—scratched by use and marked by the week’s grime. We share communal rubbish bins, lifts, maintenance notices, and advisories reminding us not to let our dogs relieve themselves in the lifts or throw rubbish from our windows, lest it affect others’ enjoyment of the amenities or cause harm to those below.

I’ve been in Hong Kong for almost ten years now. That thought hits as I glance up at a billboard on Bristol Avenue. A woman, mid-forkful of spaghetti, beams down and in cursive script proclaims:

Live Italian. Live with passion!

Her charisma is all carbs and confidence. Being half Neapolitan, I feel mildly judged—but only halfway. I clock the message and make a quiet deal with myself to step outside my comfort zone more often. 

People describe Italy as an open-air museum, un museo all’aperto. But doesn’t every place, in its own way, archive itself? Some preserve marble ruins. Others wrap themselves in layers of red, white, and blue canvas, or flyers pasted to shuttered shopfronts. These are the palimpsests of the everyday. The city speaks through them, even as it forgets what it just said.

In Hong Kong, I’ve learned to see in this register, to tune into the frequencies beneath the surface noise, to feel the texture of what’s vanishing, even as it forms.

Joanna Macy, speaking of Rilke, said we must ‘teach ourselves how to see beauty. How to treasure it. How to celebrate it. How, if it must disappear—if there’s dying—how to be grateful.’1

Maybe that’s the invitation: not to hold on, but to look again. To live with the grain of disappearance. To find beauty not in what lasts, but in what flickers, what is glimpsed, then gone.

009
010
Between cones, a small rebellion of cleanliness. (011)
011
012
013
014
Sky pours through the wound above. (015)

Letters leaving, fingers searching. (016)


015
016
Styrofoam wears velvet dreams. (017)
017
018
019
Wild patterns carry his belongings, convenient light marks his time. (020)
020
021
022
The divine and domestic. (023)
023
The city’s hunger, gathered. (024)
024
The trolley wears its emptiness proudly, and its fullness quietly. (026)
025
026
027
Time takes the paint in flakes. (028)
028
029
030
Labour’s armor hangs defenseless. (031)
031
032
033
The hill wears rivers that never run. (034)
034
035
036
Anonymity pools beneath stripes. (037)
037
One bright ribbon reveals domestic choreography. (038)
038
039
Improvising under a striped sky. (39, 40)
040


Footnote:

  1. Joanna Macy and Anita Barrows, Joanna Macy, In Memoriam — Beauty and Wisdom and Courage (and Rilke) to Sustain Us, in conversation with Krista Tippett, On Being with Krista Tippett, Apple Podcasts audio, July 22, 2025, https://podcasts.apple.com/hk/podcast/on-being-with-krista-tippett/id150892556?i=1000718497545.


Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  Kinetic City  


Fractured  Fractured  Fractured  Fractured  Fractured  Fractured  Fractured  Fractured  Fractured  Fractured  Fractured  Fractured  Fractured  


Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  Déjà Disparu  


Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  Flatbed  


Mediation  Mediation  Mediation  Mediation  Mediation  Mediation  Mediation  Mediation  Mediation  Mediation  Mediation  Mediation  Mediation  Mediation  


Flux  Flux  Flux  Flux  Flux  Flux  Flux  Flux  Flux  Flux  Flux  Flux  Flux  Flux  Flux  Flux  Flux  Flux  Flux  Flux  Flux  Flux  Flux  Flux  Flux  Flux  


Cold Pizza  Cold Pizza  Cold Pizza  Cold Pizza  Cold Pizza  Cold Pizza  Cold Pizza  Cold Pizza  Cold Pizza  Cold Pizza  Cold Pizza  Cold Pizza  Cold Pizza  Cold Pizza  Cold Pizza  Cold Pizza  Cold Pizza  Cold Pizza  Cold Pizza  Cold Pizza  Cold Pizza  


Remembering Through a Screen  Remembering Through a Screen  Remembering Through a Screen  Remembering Through a Screen  Remembering Through a Screen  Remembering Through a Screen  Remembering Through a Screen  Remembering Through a Screen  Remembering Through a Screen  Remembering Through a Screen